Abstract:
Concept and ways are described of implementing a sound distortion circuit suitable for musical instruments, in particular, for electric guitars. Inputting an audio signal, low noise intrinsic to the circuit electronics is provided to the output. This type of noise, here referred to as electroacoustic noise, is produced by the interaction of the harmonic components of the audio signal with the natural ways by which sound and heat propagate in materials that make up the circuit components. The invention demonstrates that this type of noise, not foreseen by prior art, presides over the musical quality of sound even when artificially distorted, as is often required especially by guitarists. Compared to the best that is offered by comparable prior art equipment, the invention offers the musician greater freedom of tonal research and also greater ease of musical performance, thanks to the greater degree of intonation obtainable with the instrument.
Abstract:
A sound acquisition device, particularly for acoustic guitars, comprising sound acquisition elements connected to output and power supply elements. The sound acquisition elements comprise at least one microphone and are associated with a clip-like body adapted to be coupled along the edge of the sound hole of a soundbox of an acoustic musical string instrument, the clip-like body being configured to support the sound acquisition elements inside the soundbox.
Abstract:
A system and method for producing feedback in a stringed musical instrument, especially in an electric guitar or bass guitar where a guitar amplifier simulator is used in lieu of a traditional amplifier and speaker, or other situations in which it is not convenient to induce a feedback. A transducer such as a small speaker is positioned against the head or body of the guitar. Sound from the guitar is provided to the speaker, and sound from the speaker causes the guitar strings to vibrate, which vibration is in turn picked up by the guitar's electronic pickup. An electronic circuit may be provided to introduce distortion into the audio signal sent to the speaker.
Abstract:
A vacuum tube amplification unit for use with electric instruments that allows for reduced or eliminated signal loss before the electrical signal of the instrument is amplified. The vacuum tube amplification unit includes an amplifier cartridge having an amplification circuit. The amplification cartridge is attached to and electrically connected to an instrument through a cartridge receiver. A pre-amp assembly of the amplification circuit provides a first stage of amplification, while an at least one vacuum tube provides a second stage of amplification. A power supply provides current to amplify the electrical signal of the instrument and a gain control allows for adjusting the magnitude of amplification. The amplification circuit may further include an integrated speaker, a signal converter, a transmitter, and a device terminal. Additionally, the amplifier cartridge may further include a device dock for attaching an electronic device.
Abstract:
A device and methods are provided for a guitar amplifier. In one embodiment, an amplifier includes an overdrive shaping circuit including one or more elements for harmonic shaping of a received signal. The amplifier may also include a power amplifier circuit configured to receive the harmonic shaped signal from the overdrive shaping circuit, wherein the power amplifier circuit includes a switchmode amplifier to amplify the harmonic shaped signal includes one or more elements to increase the output impedance of the switchmode amplifier. An output of the amplifier can output a signal with desired harmonic shaping and a dynamic response.
Abstract:
A solid-state audio power amplifier providing an instantaneous maximum output voltage capability in excess of its long term power output capability, in which the input signal is supplied from analogue or digital signal processor. The signal processor is arranged to limit the long term power output of the solid-state amplifier in a non-linear amplitude and frequency dependant manner
Abstract:
A method for artificially reproducing an output signal of a non-linear time invariant system includes the steps of inserting an input signal of exponential sine sweep type in the non-linear time invariant system, acquiring an output signal of the non-linear time invariant system corresponding to the input signal, obtaining a mathematical function that characterizes the non-linear time invariant system on the basis of the output signal and applying the mathematical function to a further signal to obtain a still further signal which reproduces the output signal that would be obtained from the non-linear time invariant system if it were driven by the further signal.
Abstract:
A method for use with a musical instrument includes receiving a signal representative of a sound produced by the musical instrument, receiving a selection of an audio effect from a wireless controller, applying the audio effect to the signal representative of a sound produced by the musical instrument, and providing an output signal representative of the audio effect applied to the sound produced by the musical instrument. Other methods include causing an image to be responsive to a signal representative of motions of the musical instrument, and causing an image to be responsive to a signal representative of sound produced by the musical instrument. A computer readable storage medium may store a computer program adapted to cause a processor based system to execute the steps of any one or more of these methods.
Abstract:
A method for digitally processing audio signals to emulate the effects of vacuum tube amplifiers and preamplifiers, musical instrument amplification systems, and distortion effects. By use of an implicit numerical method to estimate the response of a parametrically-controlled non-linear transfer function, non-linear filters, and feedback elements, the dynamic behavior and distortion effects of tube amplification stages are simulated. This provides the capability to reproduce the desired sounds of vintage and modern tube amplifier systems and effects with the conveniences and control associated with digital signal processing systems and software.
Abstract:
A system and method for modulating the sound pressure that is output from an audio transducer is disclosed. In one embodiment, the method includes receiving an audio signal and placing the audio signal across a voice coil of the transducer. In addition, a voltage is applied across a field coil of the transducer, the field coil being separate from the voice coil. And the voltage that is applied across the field coil is adjusted so as to modulate the sound pressure output from the audio transducer.