Abstract:
Apparatus for simultaneously decompressing and interpolating compressed audio data. The compressed audio data is stored in differential log format, meaning that the difference between each two consecutive data points is taken and the log of the difference calculated to form each compressed data point. To efficiently decompress and interpolate the compressed data, advantage is taken of the fact that addition of logs is equivalent to multiplication of linear values. Thus the log of an interpolation factor is added to each compressed data point prior to taking the inverse log of the sum. An integrator block completes the interpolation and decompression of the data.
Abstract:
In this invention noise in a binaural hearing aid is reduced by analyzing the left and right digital audio signals to produce left and right signal frequency domain vectors and thereafter using digital signal encoding techniques to produce a noise reduction gain vector. The gain vector can then be multiplied against the left and right signal vectors to produce a noise reduced left and right signal vector. The cues used in the digital encoding techniques include directionality, short term amplitude deviation from long term average, and pitch. In addition, a multidimensional gain function based on directionality estimate and amplitude deviation estimate is used that is more effective in noise reduction than simply summing the noise reduction results of directionality alone and amplitude deviations alone. As further features of the invention, the noise reduction is scaled based on pitch-estimates and based on voice detection.
Abstract:
This invention relates to a hearing enhancement system having an ear device for each of the wearer's ears, each ear device has a sound transducer, or microphone, and a sound reproducer, or speaker, and associated electronics for the microphone and speaker. Further, the electronic enhancement of the audio signals is performed at a remote digital signal processor (DSP) likely located in a body pack worn somewhere on the body by the user. There is a down-link from each ear device to the (DSP) and an up-link from the DSP to each ear device. The DSP digitally interactively processes the audio signals for each ear based on both of the audio signals received from each ear device. In other words, the enhancement of the audio signal for the left ear is based on the both the right and left audio signals received by the DSP.In addition digital filters implemented at the DSP have a linear phase response so that time relationships at different frequencies are preserved. The digital filters have a magnitude and phase response to compensate for phase distortions due to analog filters in the signal path and due to the resonances and nulls of the ear canal.
Abstract:
The present synthesizer includes functionality for changing over from a current note to the following notes that results in natural and expressive combinations and transitions. The method of the present invention incorporates an delay (actual, functional, or look ahead) between receiving control data inputs and generating an output sound. This period of delay is used to modify how notes will be played according to control data inputs for later notes. The input to the synthesizer is typically a time-varying MIDI stream, which may be provided by a musician or a MIDI sequencer from stored data. An actual delay occurs when the synthesizer receives a MIDI stream and buffers it while looking ahead for changeovers between notes. A functional delay occurs in a system in which the synthesizer has knowledge of note changeovers ahead of time. A look ahead delay occurs when the synthesizer queries the sequencer for information about the stored sequence ahead of when the synthesizer needs to generate the output for the sequence.
Abstract:
An efficient synthesizer of tonal audio signals is disclosed. The tonal audio signal synthesizer utilizes additive synthesis of harmonics of the base frequency. Rather than generating and summing all of the individual frequency sinusoidal harmonics as in traditional additive synthesis, critical band signals (comprising multiple harmonics added together) are generated, and the critical bands are summed based upon the Critical Bands resolvable by human hearing. Each critical band signal comprises the combination of from one to many sinusoids, generally of equal amplitude. Generally only a single harmonic is included in the lowest critical band, or the lowest several critical bands. As the frequency increases, the number of harmonics in each critical band increases as well. A gain is applied to each critical band signal.
Abstract:
An audio signal in a hearing aid is enhanced by detecting the power of the desired audio signal and the power of the total audio signal, generating a power value and making a noise-reduction adjustment or no noise-reduction adjustment based on the power value. In one embodiment, the power value is a function of the total power of the audio signal. In a second embodiment the power value is a function of the ratio of:the power of the desired audio signal to the power of the total audio signal.When the noise reduction is accomplished with beamforming, the invention uses a direction estimate vector in combination with a beam intensity vector, which is based on the power value, to generate a beamforming gain vector. The direction estimate vector is scaled by the beam intensity vector; the product of the vectors is the beamforming gain vector. The beamforming gain vector is multiplied with the left and right signal frequency domain vectors to produce noise reduced left and right signal frequency domain vectors.
Abstract:
The present synthesizer includes functionality for changing over from a current note to the following notes that results in natural and expressive combinations and transitions. The method of the present invention incorporates an delay (actual, functional, or look ahead) between receiving control data inputs and generating an output sound. This period of delay is used to modify how notes will be played according to control data inputs for later notes. The input to the synthesizer is typically a time-varying MIDI stream, which may be provided by a musician or a MIDI sequencer from stored data. An actual delay occurs when the synthesizer receives a MIDI stream and buffers it while looking ahead for changeovers between notes. A functional delay occurs in a system in which the synthesizer has knowledge of note changeovers ahead of time. A look ahead delay occurs when the synthesizer queries the sequencer for information about the stored sequence ahead of when the synthesizer needs to generate the output for the sequence.
Abstract:
A digital hearing aid according to the present invention is capable of measuring its own performance. The hearing aid includes a test signal generator for feeding a test signal into the hearing aid amplifier. The response to the test signal is acquired at a specific point in the hearing aid, depending upon what aspect of performance is to be measured. Various elements of the hearing aid and/or the hearing aid feedback may be bypassed. The hearing aid further includes the capability of initializing hearing aid parameters based upon the performance measurements. The measurement and initialization capability may be entirely integral to the hearing aid, or an external processor may be used to download the measurement program and the run time program, and assist in computing the parameters.
Abstract:
The present invention describes a device and methods for synthesizing a musical audio signal. The invention includes a device for storing a collection of sound segments taken from idiomatic musical performances. Some of these sound segments include transitions between musical notes such as the slur from the end of one note to the beginning of the next. Much of the complexity and expressivity in musical phrasing is associated with the complex behavior of these transition segments. The invention further includes a device for generating a sequence of sound segments in response to an input control sequence—e.g. a MIDI sequence. The sound segments are associated with musical gesture types. The gesture types include attack, release, transition, and sustain. The sound segments are further associated with musical gesture subtypes. Large upward slur, small upward slur, large downward slur, and small downward slur are examples of subtypes of the transition gesture type. Event patterns in the input control sequence lead to the generation of a sequence of musical gesture types and subtypes, which in turn leads to the selection of a sequence of sound segments. The sound segments are combined to form an audio signal and played out by a sound segment player. The sound segment player pitch-shifts and intensity-shifts the sound segments in response to the input control sequence.
Abstract:
Tonal audio signals can be modeled as a sum of sinusoids with time-varying frequencies, amplitudes, and phases. An efficient encoder and synthesizer of tonal audio signals is disclosed. The encoder determines time-varying frequencies, amplitudes, and, optionally, phases for a restricted number of dominant sinusoid components of the tonal audio signal to form a dominant sinusoid parameter sequence. These components are removed from the tonal audio signal to form a residual tonal signal. The residual tonal signal is encoded using a residual tonal signal encoder (RTSE). In one embodiment, the RTSE generates a vector quantization codebook (VQC) and residual codebook sequence (RCS). The VQC may contain time-domain residual waveforms selected from the residual tonal signal, synthetic time-domain residual waveforms with magnitude spectra related to the residual tonal signal, magnitude spectrum encoding vectors, or a combination of time-domain waveforms and magnitude spectrum encoding vectors. The tonal audio signal synthesizer uses a sinusoidal oscillator bank to synthesize a set of dominant sinusoid components from the dominant sinusoid parameter sequence generated during encoding. In one embodiment, a residual tonal signal is synthesized using a VQC and RCS generated by the RTSE during encoding. If the VQC includes time-domain waveforms, an interpolating residual waveform oscillator may be used to synthesize the residual tonal signal. The synthesized dominant sinusoids and synthesized residual tonal signal are summed to form the synthesized tonal audio signal.