In effect, the Sculptured Neck Guitar comprises of purposefully structured fret shapes depicting a three-dimensional pyramid or top half of a circle into the entire guitar neck; face, sides, and the back uniformly. This structure of frets allows drastically improved string bending and also affords multiple variations of string and fret contact points to achieve multiple pitches sounded from one originating fret. Each fret position is enabled to produce a myriad of pitches opening multiple dimensions of pitch options on any or every fret. These structural modifications alone enable the musician a myriad of mobility and multiple new playing techniques adding new sound options within every fret when played while also maintaining the standard functionality and traditional sounds the guitar offers. To simplify, the invention affords a musician the ability to produce multiple notes with one finger on one fret by dramatically bending one string.